21 May 2018

My dear Bogie

In January 1956, Humphrey Bogart was diagnosed with esophageal cancer and a few months later underwent surgery to have his esophagus removed. While in hospital recovering from the surgery, Bogie received the following letter from director George Cukor. Knowing that the two men never made a film together, I browsed the web to see what the connection was between them. While they didn't seem to be friends, I found they did have mutual friends (Spencer Tracy, Katharine Hepburn, Clifton Webb) and probably moved in the same social circlesIn any case, Cukor wanted to cheer up Bogie following his surgery and instead of sending flowers --Bogie hated flowers-- he sent this funny letter.

(Incidentally, the cancer had already spread and neither surgery nor chemotherapy could save Bogie's life. On 14 January 1957, just 57 years old, Bogie died.)

Via: icollector


March 14, 1956

My dear Bogie:

Having known for years from what a fine, old aristocratic New York family you come, and being reminded of that fact from time to time by you, I looked up in my Emily Post what should be done when a classy friend is in the hospital.

Emily says: ".... it's always thoughtful to take a gift of flowers, etc...." I was prepared to go along with this when Mr. Clifton Webb, who comes from a fine, old aristocratic Indianapolis family, as Maybelle [Webb's mother] reminds us archly from time to time, told me that above all things, you loathe flowers.

That did save me three or four bucks right there, but I was perplexed as to what my next move should be. Emily Post hasn't provided what to do in a case of Floraphobe. I decided, what better than to sit right down and write Bogie a Get-Well letter, a real comical one.

First, let me say I was rash when I said all actors were horses' you-know-whats. I should have said all actors-one-doesn't-like are horses' asses. As for those that one happens to like.... well, they have the potential of developing  into first-class H.A.'s.

It might please you, and maybe even surprise you a little, to know with what genuine affection people speak of you. I'd be less than truthful, though, if I didn't add that there's a slight note of surprise as they find themselves uttering these tender sentiments. Even the Old Man of The Sea, who's inclined to be grudging with his praise, became almost lyrical when talking of your many splendid qualities. You'll most likely be awful hard to get along with after all this.

Now a confession. As you know, it was in "Swifty" that I first saw you. I didn't flip. I didn't say, "That kid's got it! .... Stardust!" Blind fool that I was, I wasn't impressed. Never in my born days could I have imagined that you'd turn out to be a great beeg, beeg star-- and a fine actor besides. Be frank, aren't you surprised too?

Yet on that very same Playhouse stage, at a special matinee, I saw another young actor, Leo Mielziner, Jr..... no surprise finish there.

At this point you're probably muttering, "...... what does he mean, comical letter....". Well, I tried.

Go on and get well soon, so's we can all get off this sentimental kick and be our own natural, horrible  selves again.

(signed) George

Mr. Humphrey Bogart
Hospital of The Good Samaritan
1212 Shatto Street
Los Angeles, California  

8 May 2018

Marilyn & Ella: the "truth" behind Ella's booking at the Mocambo

Prior to my visit to the 2016 Marilyn Monroe exhibition in my old home town Amsterdam (The Netherlands), I had never heard of the connection between Marilyn and jazz singer Ella Fitzgerald. It was through the exhibit that I discovered that Marilyn was responsible for Ella's booking at the Mocambo, in the 1950s thé jazz hot spot in Los Angeles frequented by many Hollywood stars. Legend has it that the Mocambo had refused to book Ella because of her skin colour and Marilyn, a huge Ella fan, then called the owner of the club demanding Ella's booking. In exchange, Marilyn would sit at the front table during every performance. The affair attracted much publicity and it is said the two women became friends after that.

The source of the Mocambo story was Ella Fitzgerald herself. In an August 1972 interview with Ms. Magazine she had said: "I owe Marilyn Monroe a real debt … she personally called the owner of the Mocambo, and told him she wanted me booked immediately, and if he would do it, she would take a front table every night. She told him – and it was true, due to Marilyn’s superstar status – that the press would go wild. The owner said yes, and Marilyn was there, front table, every night. The press went overboard. After that, I never had to play a small jazz club again. She was an unusual woman – a little ahead of her times. And she didn’t know it." 

Ella Fitzgerald and Marilyn Monroe photographed at the Tiffany Club in Los Angeles late 1954.

While I love the story of Ella being the 
first black artist to perform at the Mocambo thanks to Marilyn's interference and Marilyn being there front and center every night, the story has been disputed, in particular by the website Immortal Marilyn with this interesting article. Apparently, Ella was not the first black performer at the Mocambo, other black artists had performed at the club before her including Dorothy Dandridge in 1952 and Eartha Kitt in 1953. The reason why club manager Charlie Morrison didn't want to book Ella was not because of her race but probably because he didn't think her glamorous enough. As to Marilyn being present at the Mocambo every night during Ella's run (15-25 March 1955), April VeVea of Immortal Marilyn argues that Marilyn couldn't have been there since she was not in Los Angeles at the time. However, Marilyn did make several appearances at the Tiffany Club, another Hollywood jazz venue, in November 1954 while Ella was performing there. The famous pictures of the two women together at a Hollywood nightclub were taken at the Tiffany Club and not at the Mocambo. And so, argues VeVea, in her 1972 interview Ella must have confused Marilyn's actual appearances at the Tiffany Club with appearances at the Mocambo.

With both the race story and Marilyn's presence at the Mocambo disputed, did Marilyn still play a role in Ella's booking at the Mocambo or not? According to a newspaper clipping (see image) and Marilyn biographer Michelle Morgan (read here), Marilyn did. However, Immortal Marilyn's VeVea says Marilyn didn't (here) and her point of view seems confirmed by a memo written by Marilyn's secretary Inez Melson. Melson wrote the memo as a reminder of the conversation she had with Jo Brooks, wife of Jules Fox who was Ella's publicity agent. It confirms that Marilyn had visited the Tiffany Club late 1954 when Ella was playing there. Judging from the memo, however, it looks like Marilyn had nothing to do with the Mocambo booking and merely wanted to give a party for Ella after Ella had been booked. Ultimately, Marilyn never hosted the party as she was out of town then.

Melson's memo, written on 15 February 1955, is shown below.

Source: Julien's Live


February 15, 1955

Memo of conversation with Jo Brooks

Jo Brooks is husband of Jules Fox who is a publicity agent, handling publicity for Ella Fitzgerald.

A few months back, Miss Monroe visited the Tiffany Club on West 8th Street where Ella Fitzgerald was playing. Miss Fitzgerald talked of a possible future date at the Mocambo and Miss Monroe said when this happened, she would like to give a party for Miss Fitzgerald.

Miss Fitzgerald will open at the Mocambo on March 15 and Miss Brooks wanted to know if Miss Monroe was serious about giving a party. I told her that I did not think that Miss Monroe would be in town on that date but I would tell her about Miss Fitzgerald's opening.

Marilyn and Ella photographed in 1961. Marilyn may not have played a role in Ella's booking at the Mocambo but her appearances at the Tiffany Club in November 1954 certainly gave Ella's career a boost.